2014’s “Lone Survivor”, written and directed by Peter Berg.
Starring Mark Wahlberg, Ben Foster, Taylor Kitsch, Emile
Hirsch, and Eric Bana.
Nominated for an Academy Award in Sound Mixing (Andy Koyama, Beau
Borders, David Brownlow), and Sound Editing (Wylie Stateman).
What is it about?
“Lone Survivor” is about a 4 man US navy SEALs team in 2005
that went into Afghanistan to take out a Taliban insurgent leader. While in the
Hindu Kush region, they accidentally run into a group of civilians, and have a
dilemma. Should they kill them to accomplish their covert mission, or let them
go and compromise their position to the heavily armed antagonists who outnumber
them? Being compassionate, they let the locals go, and almost immediately have
a wave of Taliban come after them. Their mission aborted and chances of
survival slim, will our SEALs be able to be evacuated by their fellow
countryman, or be buried forever in the forested mountains of Afghanistan?
Why is it worth seeing?
Loosely based off a true story by the SEAL survivor, Marcus
Luttrell, writer/director Peter Berg adapted Luttrell’s story and threw a bunch
of solid stars (and soon to be wounded stunt doubles) into army fatigues in Afghanistan
New Mexico. It takes a while for things to get going, but once they do the film
can be intense at times. Severely outnumbered and cornered, the grunts prove to
be supreme bad asses, as obstacles such as bullets to the head and freshly
shorn fingers prove to be mere irritants along the path to kicking ass in the
name of freedom.
However, further introspection reveals a desire for more
than just grunts talking about how they would die for their brothers/country
(and then doing it). After a training montage of real life participants, which
points out how much the stars don’t actually look like their characters, we see
a widescreen horizon with atmospheric synthesizer, accompanied by Mark Wahlberg
voice over about having a fire in your belly (etc…). I have to admit, that’s
the first time I’ve seen Malickian devices to promote US Military propaganda.
And that’s what we’re in for here- an excuse for our boys to get dirty, look
down their scopes at scores of Taliban getting sniped, and die with our
brothers. Freedom, or at least the never ending search for it, never felt so
thrillingly hollow.
While it’s impossible to call our quartet of overqualified
actors (Ben Foster is especially riveting) cowardly, the real bravery and
chutzpah here is from the Afghans that end up standing up to the Taliban in
aiding the Americans. How much easier would it have been to do nothing and put
up no resistance against the monstrous terrorist insurgents? Instead, they
prove the bulk of nuance and inspiration in the movie. At the end, after
somberly playing Peter Gabriel’s “Heroes” cover, the real heroes are the Afghan
villagers who give so much of themselves to these American soldiers. Risking
their lives, they do so because of their code of Pashtunwali. Used by Eastern
Afghans and NW Pakistanis since 1st millennium BC, it is based
around a code of living to keep their society honourable but intact. Without
their inclusion to the story, “LS” becomes a sort of poor man’s 2007’s “The
Kingdom”, in that neither side is prepared to yield in search of compromise or
understanding. It’s not always possible, but that’s where real strength- and
inspiration reside.
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