2017’s “3 Billboards Outside Ebbing, Missouri“, written and directed
by Martin McDonagh.
Starring Frances McDormand, Woody Harrelson, Sam Rockwell,
Lucas Hedges, Caleb Landry Jones, Clarke Peters, Peter Dinklage, John Hawkes, and
Sandy Martin.
Nominated for an Academy Award for Best Picture, Best Actress
(Frances McDormand), Best Supporting Actor (Sam Rockwell), Best Supporting Actor
(Woody Harrelson), Best Original Score (Carter Burwell), Best Original
Screenplay (Martin McDonagh), and Best Film Editing (John Gregory).
What is it about?
“3 Billboards…” is about a woman (an amazing Frances
McDormand) in a small town who’s daughter was raped and murdered 7 months
previous. Frustrated at the local law enforcement (Lead by a wonderful Woody
Harrelson, and featuring a dynamic Sam Rockwell)’s lack of progress, she pays
for 3 billboards that openly question Harrelson’s results. The billboards
certainly have an effect, as they trigger the small town’s characters into a
chain of dramatic events that speak to the capacity of anger, hope, and
forgiveness. Will McDormand and her family be able to see justice done for the
daughter’s death?
Why is it worth seeing?
“3 Billboards…” is a very intimate look into the characters
who inhabit a small town, where everybody knows each other’s business and
aren’t afraid to share their opinions. The theatrical experience of
writer/director Martin McDonagh very much comes through, but make no mistake,
this is no play masquerading as a
film. It’s characters are alive, with several performances of the year present.
Through the heart, and the hatred, also comes through a thick web of humour. It
really says something that a drama with such dark subject matter could be so
funny at times, and McDonagh juggles the tones expertly.
While the movie is very funny at times, McDormand’s
character takes no prisoners. Grimly demanding justice and not being afraid to
leave any stone unturned, she even alienates her family members, including her
son (Lucas Hedges, solid again after “Manchester by the Sea”) and ex-husband (John Hawkes, who needs more work) in her
quest. When a character, who would like her to take the billboards down, lets
her know that he also has cancer, she informs him that they’ll be more
effective after he croaks. Equally as persistent, is the Sam Rockwell
character, who’s Sheriff is initially almost cartoonish in his ignorance and
hate- who then believes that he could be a better person. Harrelson is great
too, as a character who realizes giving up may just be the recipe for wellness
the town so desperately needs.
While it’s vulnerable characters and propensity for the
strength of hope are inspiring, there are a few false notes, such as a rant
against the Catholic church that seems to break character and betray the
writer/director’s worse impulses. And sometimes the small setting morphs into
something resembling too convenient to be believed. However, the movie’s
perfectly timed ambiguous ending more than make up for mere quibbles.
“3 Billboards…”’ strength of fantastic performances,
filtered through messages of hope overcoming hatred, as well as the power of
forgiveness, make it one of 2017’s strongest films. Go watch it with your
mother (warning: some See You Next Tuesdays are present).
I disagree with the comment the lead made about the Catholic church- I felt it was timely and showed the woman's true hatred for anyone or group that has committed a crime in which her daughter suffered. It shows how deeply this woman was suffering and bow or has effected all of her personal relationships. I felt that comment stood out as one of the best parts of the movie!
ReplyDeleteWithout a doubt, it's one of her more acerbic scenes. For me, I'm more prone to the scenes of forgiveness and hope, than the ones where she owns others. The shot of her flipping the overturned beetle back on it's legs is just as profound for me.
Delete