2018’s Support the
Girls, written and directed by Andrew Bujalski.
Starring Regina Hall, Haley Lu Richardson, Shayna McHayle,
James Le Gros, Lea DeLaria, Jana Kramer, and AJ Michalka.
What is it about?
Set in present day America, a group of ladies work at a “Hooters”-like family
restaurant called, “Double Whammys”. Lead by their manager, Lisa (Regina Hall),
the girls such as Maci (Haley Lu Richardson), and Danyelle (Shayna McHayle), work
at their jobs, managing sexist comments and eager-to-touch gestures from
customers, all while they try to keep their lives together. Lisa takes on a lot
of the younger girls’ drama, operating as a mentor figure to them. This
approach contrasts poorly with the struggling establishment’s owner, Cubby
(James Le Gros), who feels his employees are expendable and that Lisa has poor
boundaries. Lisa is struggling with her personal life at the same time- will
she be able to hold it together in the economic environment of America today?
Why is it worth seeing?
Support the Girls
is a character study about a group of people who form a community
through their employment. It features fantastic performances from its cast, and
is a very patient and spontaneous film that is underrated.
There really is no justice in the world. Regina Hall’s last
film, Girls’ Trip, grossed a boat load of money- and will be a strong
contender for my least favourite film of this year. Meanwhile, Support the Girls, with an 85 score on Metacritic, appears to have covered its
catering budget with its box office gross. It’s an interesting parallel to the
underlying tone of the film- that of intelligent, good hearted, and
professionally capable people desperately clinging to bare bones survival in early
21st century America. Their reward seems to be scrutiny from their
mistrusting employer- and a grateful wave to the employer down the street
offering “competitive wages”.
As noted, Regina Hall is wonderful here, warmly portraying
someone who wants to do a good job for her employer, wants to be strong, fair,
and fun towards her employees, who wants so badly to be a role model for women
and an advocate to all. She’s tough- but not made of stone, and there’s even a
wonderful moment of her expressing herself honestly to a uninvolved presence. Right
beside her, is Haley Lu Richardson (so good already in The Edge of Seventeen,
and particularly, Columbus), as a
poster child for good natured but naïve optimism, who may be smarter than her
scantily clad character lets on. Acting as a sombre wake up call to both of
them, is the perpetually reasonable and dreary underdog of Shayna McHayle, who
seems to get as little satisfaction from her job as she does camaraderie from
the majority of her 20 year old drama filled coworkers.
Writer director Andrew Bujalski does a great job of creating
a home away from home, with the practically lived in environment of the sad
themed restaurant that isn’t too far off from closing for good, and the
coworkers that can be tighter than some families. There’s the regular guest that
wants to fight obnoxious customers out in the parking lot, or the sad old man a
waitress takes a little too much
interest in, or even an employee who has a zen moment by the dumpster in the
back when briefly away from the chaos of it all. As a former service industry
worker, it rings very true.
Bujalski’s comparisons to directors like Mike Leigh are
appropriate, as he dives right in to his character’s lives for some serious
qualitative study that is both quietly beautiful- and downright ugly at times.
Through it all, there are no easy fixes given, it’s all tough choices we are
obligated to make, and the film’s ending has the faith in its audience’s
intelligence to work out resolutions to the challenges presented here.
Filled with solid performances and true to life studies of
its characters, Supporting the Girls
is deserving of more attention- it would be nice if its stars didn’t have to
practically strip naked on top of a bar to get it. Bujalski’s intimate look at
characters struggling to get by is worth noticing- for a guy who created the so
called mumblecore movement, his latest feature really can scream with
a conviction that it is worth noticing.
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