1995’s “Canadian Bacon”, written and directed by Michael
Moore.
Starring John Candy, Alan Alda, G.D. Spradlin, Kevin J. Conner, Rhea Perlman, Kevin Pollak, Rip Torn, Bull Nunn, Steven Wright, and Wallace Shawn.
Starring John Candy, Alan Alda, G.D. Spradlin, Kevin J. Conner, Rhea Perlman, Kevin Pollak, Rip Torn, Bull Nunn, Steven Wright, and Wallace Shawn.
It’s hard to imagine Michael Moore making a fictional film.
Moore was the editor of Harpers magazine before getting fired and settling out
of court with them for his severance. He used the settlement money to make
1989’s documentary, “Roger and Me”, and his career as a filmmaker was born.
Moore has (for better or worse) arguably done more for the documentary medium
than any other film maker, and with an Oscar for 2003’s “Bowling For
Columbine”, his place in history is secure.
Moore has stated that his view of the differences between
Canadians and Americans was that Canadians had the ability to make fun of
themselves, and were intelligent enough to understand satire. To prove this, he
makes “CB”, a satire that pokes fun at Canadians, through the lens of the so
called ugly American. Centred mainly around the Niagara Falls region, we see
the depressed area of Buffalo, mostly due to an arms factory closing down after
it’s CEO (Spradlin) closes down the operation due to “too much peace” from the
end of the Cold War. While having a fire sale for citizens on automatic weapons
and bazookas, the president of the U.S. (Alda) stops by, only to realize that
his popularity is flagging. Desperate for a second term, Alda enlists the help
of his National Security Advisor (Pollak) and Head General (Torn), who with quite
a bit of manipulation from Spradlin, advise that the best course of action is
to start a war against Canada. You can see why: differences such as the metric
system, mayonnaise, futuristic Zamboni technologies, and Neil Young, beg for a
comeuppance. After a brief propaganda campaign, followed by ice skates and
Molson Canadian being banned, the Americans (such as Perlman and Candy) begin
to run amok in Canada in the name of freedom. When Spradlin’s ruthless
republican heel threatens to start WWIII with his recklessness, a hero (whether
on purpose or accidental) will need to step up to prevent Mutually Assured
Destruction against the Canucks.
CB can be a little frustrating. While it has jokes aplenty
and at times can hit levels of Strangelovian genius, it also feels very one
dimensional and low budget in it’s corniness. Bits such as not being able to
use lethal hit squads against Caucasians are brilliant, but major plot details
like sheriffs going across the border to litter as part of the war effort can feel
like they were written on a cocktail napkin. CB can be best appreciated as a
primer to 1997’s superior “Wag the Dog”, which is as bitingly funny and caustic
as it gets, while telling a much better crafted story (or even bits of 1999’s
“South Park: Bigger, Longer, and Uncut”). Ultimately, CB’s place in history
will be the arrogant notion of misunderstanding from individuals who believe
that Moore has made just another documentary about the sleepy and dopey citizens
north of the 49th parallel. Not caring to know the differences and
similarities between the 2 neighbour nations will always be a pork barrel of
opportunity for socially aware entertainers and commentators.
3/5
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