2011’s Oranges and
Sunshine, directed by Jim Loach.
Starring Emily Watson, Hugo Weaving, Lorraine Ashbourne, David
Wenham, and Harvey Scrimshaw.
What is it about?
Oranges and Sunshine is based around the true story of English Child Protection Social Worker, Margaret
Humphreys (played by Emily Watson), who in 1986 exposed that the British
government in the 40’s to 60’s moved over a hundred thousand children in care
to Australia and Canada. Many of these children were permanently severed from
their families, forced into slavery-like scenarios, and sent to religious
organizations that would physically and sexually abuse them. Oranges and Sunshine tracks Humphrey’s attempts
to locate the (now grown up) migrant children, and once they start to pour in, reunite
them with their families, make public her results, and hold the government
accountable for their past actions. As Humphreys absorbs the impacts of
vicarious trauma and transitions through various stages of burnout, will she
able to keep it together as she sifts through a purpose that may never be
finished?
Why is it worth seeing?
Initially showing the apprehending of an infant from an
unfit mother, Oranges and Sunshine does
an admirable job of depicting the everyday reality of people who choose careers
that involve opening doors awful people and organizations don’t want opened,
and starting the healing of vulnerable and broken souls. Watson is great here,
as the socially just, but still only human character, who fills the air of her
client victims’ cries and gasps with the appropriate and powerful silences
required. But when she needs to speak truth to power, she doesn’t hold back.
Sunshine’s other
strength is in its depictions of the victims. With literally tens of thousands
of children ripped from their families’ lives, we see in 2 or 3 case studies
revealed here an idea of how deep the wounds go when humans are severed from
their loved ones. Everybody grieves in their own way, but it’s always telling
when a victim of abuse feels therapeutic cleaning, as it reminds them of their
childhoods (no matter how abusive). It’s impossible to not feel for
identity-less adults who haven’t seen their parents in decades- learn that they
never will due to them passing away.
While its depictions of social work themes and Humphrey’s
plight are spot on, Sunshine’s faults
include diverging from the truth how Humphrey’s came into her migrant children discovery
assignment. Its hard to believe that the local Nottingham child protection
authority not only had no problem with her abandoning her caseload, but also supporting
her in investigating its likely incriminating and morally execrable past. I
especially felt this way because in real life Humphreys was let go from her
job. That, and the usual glossing over details that the book likely can better
explain in detail. Despite that, Oranges
and Sunshine is a sobering look at another human atrocity that will take
generations to heal from.
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