2018’s Blockers, directed
by Kay Cannon.
Starring Leslie Mann, John Cena, Ike Barinholtz, Kathryn Newton, Geraldine Viswanathan, Gideon Adlon, Ramona Young, Graham Phillips, Miles Robbins, Jimmy Bellinger, Colton Dunn, Sarayu Blue, Gary Cole, Gina Gershon, Diane Raphael, Hannibal Buress.
Starring Leslie Mann, John Cena, Ike Barinholtz, Kathryn Newton, Geraldine Viswanathan, Gideon Adlon, Ramona Young, Graham Phillips, Miles Robbins, Jimmy Bellinger, Colton Dunn, Sarayu Blue, Gary Cole, Gina Gershon, Diane Raphael, Hannibal Buress.
What is it about?
Why is it worth seeing?
Blockers’ comedic premise
is intriguing, as a trio of parents’ experience what every parent inevitably goes
through- their kids’ exploration of their budding sexuality. Not content to
stew in helpless guardianship anxiety, they instead strike out to ruin their
young adults’ attempts at deflowering. But even with all the peripheral gross
out humour, we’re not spending enough time with the real heroes of the story-
the kids.
One of the strengths of American
Pie’s franchise is the appeal of its (usually) young characters. Sold as
gross out sex filled comedies, the lessons and bonding the characters mature
through is the sentiment that keeps you coming back (at least before the
dreaded direct-to-video dreck arrived) for more. Blockers takes a similar drive, so integral in Pie, and instead bases most of its perspective through the neurotic
parents, who are determined to prevent their children from losing their
innocence.
But the teens presented perhaps could lose a bit of their
innocence. Here are multi-dimensional, kind, and sympathetic people, who’s
parents just don’t seem ready to acknowledge that their kids are probably more mature
than they are. Any steam generated from spending time with the kids is at times
quickly evaporated by the hijinks of Cena, Mann, and Barinholtz.
It’s not that the folks don’t have chemistry- Cena in
particular is hilarious as the dad whom is out of his element but thinks his
intensity will barrel his way through any situation. But it’s difficult to
believe typical adults with reasonable capacity (Mann in particular) would go
to the absurd lengths depicted here, and it makes you wish that we could spend
that time with the kids instead (like we spend time doing in Ladybird or any John Hughes film).
Full of post modern comic banter, testicle grabbing, and
vomit and beer-butt chugging, Blockers
is heavy on comedic banter and gross outs, but light on the characters who
really matter.
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