2018’s Hereditary,
written and directed by Ari Aster.
Starring Toni Collete, Alex Wolff, Gabriel Byrne, Milly
Shapiro, Ann Dowd, and Mallory Bechtel.
What is it about?
Hereditary is a
horror film about a family dealing with the loss of their maternal grandmother.
Mother and miniature artist, Toni Collete, Father, Gabriel Byrne, Daughter,
Milly Shapiro, and Son, Alex Wolff, need to sort through their feelings of
grief and trauma. Buried deep underneath the loss, are the shadowy secrets of
the family. As the revelations burrow upwards, so too do supernatural elements.
Will these things coalesce into horror for the family?
Why is it worth seeing?
Hereditary is the
astonishingly confident feature debut of writer/director Ari Aster. Much like
the dollhouse miniatures that Collete’s mother character creates, it’s a disturbing
metaphor for the dysfunction that can live within beautiful American homes with
seemingly normal inhabitants. Aster uses this setting to show off some
hypnotically unsettling imagery.
Here, Toni Collete gives the performance of a lifetime, and
leaves no bases untouched as a flawed mother who needs to grieve and untangle
her relationship with her mother, be there for her kids, and therapeutically
come to grips with expressing her inner demons through her disturbingly true to
life dioramas. Her role is the key element in turning Hereditary’s tone from merely strange to seriously anxiety
provoking.
It is so easy to be cynical and bored of modern horror
movies and their tired techniques. But the journey Aster takes us on, relies on
a confidence of vision that jaggedly leaves us dreading that next corner, that
next barely lit image, that next resolution we didn’t ask for. We are helpless
victims to a parade of horrors- like any good sadist, Aster takes his time in
watching us squirm.
In the film’s quieter moments, the nuclear family possesses
a quiet that betrays the unspoken words that they share. There are secrets, horrible
ones- and they will come to light. These revelations, shared sometimes with
breathless anger, are a refreshing change from cliched jump scares of horror
movies past. It’s Ordinary People,
but with the supernatural. Or The
Exorcist, in that we straight forwardly watch loved ones go a different
way.
Some will undoubtedly find the material too unsettling, or
merely too slow, for the patient approach to clinical dysfunction here. It’s
their loss, as Hereditary shows its
true colours in honouring horror classics that have come before, while creating
something new and fresh that is difficult to unweave from the collective
unconscious. Some things just run in the family.
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