1998’s “Primary Colors” directed by Mike Nichols.
Starring John Travolta, Emma Thompson, Kathy Bates, Adrian
Lester, Maura Tierney, and Billy Bob Thornton.
Nominated for an Academy Award for Best Supporting Actress
(Bates), and Best Adapted Screenplay (Elaine May).
What is it about?
We meet young and impassioned Adrian Lester, who wants to make a difference by working for his chosen political party during an federal election. More than that, he wants to believe in a political candidate. Running for president is Travolta (doing a Bill Clinton impression), who like Bill loves people, seems to feel deep empathy for them, and has his share of scandals while saying what needs to be said to get the job done. Lester leads the campaign, and bears witness to the mud wrestling that is American Politics.
Nichols starts the film off with purpose, showing the
American flag waving with “Camptown Races” playing. We are introduced to a
political couple (Travolta and Emma Thompson, doing something very Hillary
Clintonesque), and their army of assistants (political consultants Billy Bob Thornton
and Kathy Bates, aides Maura Tierney and Lester). They immerse themselves in
the campaign, with the manic swings of emotion and constant burnout inducing
vigilance, and see first hand the disconnect between the people living in the
republic of America and the candidates they have to vote for to represent them.
More importantly, we meet America. Working class, struggling, impoverished, and
desperate for a political candidate that will actually represent their best
interests. In “PC” we see that the hunt for a good candidate often will need to
continue.
Why is it worth seeing?
Primary Colors is interesting in that we see a fictionalized
version of the Clintons and their various chicanery dynamics, but what is great
about it is when it takes a step back and reveals how difficult it is to be
anywhere on the political spectrum- except on the cynical axis. While the movie
drags at the end, Elaine May’s script can at times be somewhat forced in it’s
character’s speeches, and Lester’s girlfriend character is hard to take
seriously as she naively gives a shrill performance, “PC” shows our true
colours wonderfully and is hard hitting in it’s honesty about the futility of
being true to yourself when ambition and blackmail are the only currency
available.
As Travolta charismatically slings politics at the local rib
joint where he is sleeping with the owner’s teenage daughter, we see how
impossible it is to advance in politics without getting your hands dirty.
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