2017’s “T2: Trainspotting”, directed by Danny Boyle.
Starring Ewan McGregor, Jonny Lee Miller, Robert Carlyle,
Ewen Bremner, Anjela Nedyalkova, Kelly McDonald, and Irvine Welsh.
1996’s “Trainspotting” further placed Danny Boyle on the
directing map. His adaptation of Edinburgh author Irvine Welsh’s tale about
drug addiction was a gleeful and exhilarating cautionary tale about youth’s painful
lessons. Flush with a thrilling soundtrack and exaggerated scenes of the
character’s lives, it depicted how difficult it was to choose life when you
have heroin, but maintained that a clean break was possible as long as you
don’t mind pissing off your mates. Timeless in its enjoyment but very much a
memorial to 80’s Edinburgh, it was a 90’s cinch that is a pleasure to return
to.
Sharing that sentiment, Boyle brings back the old gang 20
years later, last seen being betrayed by a member of the group after a
successful drug deal. We catch up with McGregor (Renton), now a married accountant
and visiting Edinburgh from Amsterdam. Miller (Sick Boy), when not snorting
cocaine, runs a dive bar with a Bulgarian prostitute (Nedyalkova) whom he uses
to lure men so he can videotape them for blackmail purposes. We see Carlyle
(Bagby) still in prison, bathing in his usual hostility that makes him at times
resemble a motor mouthed Michael Myers. Finally, Bremner (Spud), still an
active heroin addict, going through his struggles of losing employment, his
partner, and custody of his child. The 4 of them end up together, with dreams
of opening up a “spa” (brothel), with plenty of hustling, reminiscing, and
relapses along the way.
In interviews, Boyle has stated that the time was right to
show the changes in the characters of Trainspotting, loosely basing it around
Welsh’s book sequel, “Porno”. Returning is the original gang, the depravity,
the innovative camera work and visuals, even some of the same songs. There are
some new wrinkles, both figurative and especially literal- but we’ve seen this
before. Throwing in a throwaway trope about Bremner writing a memoir that
retells the original movie that the sequel simultaneously is celebrating, the
terribly named “T2: Judgement Day Trainspotting” starts to lose it’s
lust for life. When it’s needle comes off the well worn tracks, “T2” has it’s
moments of cathartic inertia (McGregor’s visit to his old house is stunning,
and the Nedyalkova character is a treat), but when it treads old ground in
their 20 years wiser bodies, as one of the characters proclaims, “It’s over-
can we go home now?”
3/5
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