2017’s “The Discovery”, directed by Charlie McDowell.
Starring Robert Redford, Mary Steenburgen, Jason Segal,
Brian McCarthy, Jesse Plemons, and Rooney Mara.
Set in a future that looks a lot like today, “Discovery”
depicts a world where millions of people begin committing suicide after
Redford’s scientist character proves that an afterlife is possible. Segal’s
character travels to a remote island via ferry, meeting Mara along the way. She
is difficult but intriguing, and sure to show up later. Segal is picked up by
his brother (Plemons), and taken to a former boarding school where their
father(Redford), runs an organization based around experimenting with recording
dead people’s visions. Segal wants Redford to stop the studies, as he believes they
cause more harm than good, but is also trying to track down where some visions
he has recorded came from, and what they mean.
Somewhat of a “Flatliners” for world class brooders, Segal seems
tortured by something he doesn’t understand and can’t alter. Redford is somewhat
mysterious as the cult like leader, leading experiments that include
interviewing people that are difficult not to compare to “The Master”’s
Scientology scenes. There’s plenty of fertile ground here in terms of themes to
explore life and death, but it’s tough not to feel “The Discovery” shirks the
fecund ideas of life, death, memory, the afterlife and reincarnation, as much
as possible. As well, as Segal attempts to get to the bottom of his past amidst
his visions and recordings of his possible death states, we’re still trying to
get to the bottom of who these characters are. Redford is the mad scientist, and
everyone else his subjects, but we know nothing about these people, who all are
attracted to that place where life and consciousness divert. It’s a shame that
the only real discovery to be found here is that the wanna-be cool, circular
exposition of the film doubling as a substitute for character development and
plot. Featuring a “tell, don’t show” screenplay, heavy on words that explain
little of why our characters do anything or what they are actually feeling,
“The Discovery” shows little about human experience that we don’t already know.
2.5/5 (May require a second viewing to adjust score)
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